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Vermont  Theatre  Festival
       2026   Season
 

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Patience

by

WS Gilbert and Arthur Sullivan

Gilbert spent his career satirizing theBritish class structure...the army, the navy, the courts and, in Patience, the cult of asthticism as embodied by Oscar Wilde much to the amusement of his middle class audiences.   

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Henry V


by


William Shakespeare

The bellicose patriotism in this, the last instalment of Shakespeare’s Henriad, makes it a perfect drama for today – showing us the repeated history of war, invasion and acquisition in the name of nationalism.

 

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Exit the King
by
Eugene Ionesco 

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The format is simple. Berenger – the stock hero of many Ionesco plays – is now a 400-year-old monarch presiding over a ruined kingdom and facing imminent death: in the course of the play’s 105 minutes, he is constantly told how little time he has left. But initially, Berenger, attended by his two wives, his doctor and a couple of servants, is in a state of denial. Even when he does accept the inevitability of death, he becomes obsessed by his legacy until, one by one, his faculties and his followers desert him.

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Krapp's Last Tape

by

Samuel Becket 


 

Beckett’s celebrated play from 1958 is so precisely composed in its interplay of language, movement and silence that any new variations tend to be all in the detail. As the 69-year-old Krapp listens to tape recordings of his younger self, he pauses and interjects. His eyes register minute flickers of emotion, his years of performing to camera adding a subtlety that seems effortless.

Bemused by the confident delivery of the 39-year-old on tape, Krapp mocks his younger self’s artistic ambition. As he berates himself for his lack of achievement in the intervening years, he brings a harsh, almost sarcastic tone to his self-criticism, deepening its pathos. Not only does Krapp feel like a failure but he has to kick himself about it as well.

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The Year of Magical Thinking

​by

​Joan Didion

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 In December 2003, as an acute, lifelong reporter of her inner states, Joan Didion was presented with a unique opportunity to examine the experience of bereavement.

Love and death are the themes of the great novels, but the emotion that links love and death – grief – is more often the stuff of memoir than fiction. Still, you have to be a very special kind of writer to find the detachment to examine a devastating personal loss, especially if you are going to write about it inside out. In The Year of Magical Thinking this is precisely what Didion does.

Joanne Didion
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The Importance of Being Earnest
by
Oscar Wilde

Oscar Wilde’s  comedy  was,  as  he  himself  said, “written by a butterfly,   for butterflies”. Real  life  may  threaten:  the mercenary Victorian  marriage  market and  cruel  policing  of  desire  that  bit Wilde   himself  so  savagely  after the 1895  premiere.   It  is  brilliantly witty  and  has  withstood  the  test  of  time  for  two  centuries  with  some  of  the  choice st  acting parts  for  many  famous  actors  including  Maggie  Smith, Judy Dench  and  a  host  of   others.


You may leave a reservation by calling 456-8968 or by email at unadilla@pshift.com and pay for your ticket when you come to the box office.

Tickets are $30 for adults and $15 for children 12 and under.

Curtain time is 7:30 evenings and 2:30 for matinees.

The Unadilla is a 501c3 non profit organization.

Reservations can be made by calling 456-8968 or by email at unadilla@pshift.com
 
Tickets are $30 for adults and $15 for children 12 and under. 

Curtain time is 7:30 evenings and 2:30 for matinees.


The Unadilla is a 501c3 non profit organization.


 

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Unadilla Theatre is a vibrant hub for the arts, showcasing talent from the Vermont Theatre Festival. We celebrate creativity and community through captivating performances and engaging events.

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